Tita Lau LIVE @ Get Closer, 338 London, UK Tech House _ House _ Techno

**A Journey Through Rock and Roll: A Soul-Stirring Experience**

As I listen to these lyrics, I am transported to a world of rock and roll excess, where the boundaries between reality and fantasy blur. The song's opening lines, "Give me the people and free my soul / I want to get lost in your rock and roll," set the tone for a wild and untamed ride. The speaker's desire to escape the constraints of everyday life and indulge in the unbridled energy of rock music is palpable.

The next few lines, "I want to get lost in your rock and roll / O soul," drive home the intensity of this emotional connection. The use of "O" instead of a proper noun adds to the sense of anonymity, as if the speaker is surrendering themselves to the power of the music. The reference to the "rock and roll" itself becomes almost synecdoic for the raw emotion and energy that it evokes.

As the song continues, we hear a chorus of women with "attitude," urging the speaker to take action and let go of his inhibitions. "Don't you stand there / Let's get to it strike a pose," they seem to say. The use of the word "pose" is particularly interesting, as it suggests a sense of self-awareness and confidence that is essential for embracing one's inner rock star.

The lyrics then shift to a more introspective tone, with the speaker musing on what it means to be alive and present in the moment. "What is real / What is free," he asks, his voice tinged with a sense of wonder and curiosity. This existential crisis is beautifully juxtaposed with the earlier call to action, highlighting the tension between living life on one's own terms and getting lost in the thrill of rock music.

The song then takes a surreal turn, with the speaker describing a fantastical world where "Neon this is not the real life." The use of the word "Neon" adds a sense of futurism and otherworldliness to the lyrics, while also underscoring the idea that this world is somehow detached from reality.

As we continue through the song, we hear references to stereotypes and conformity. The speaker seems to be warning against getting caught up in societal expectations and instead urges us to forge our own path. "Don't just stand there / Let's get to it strike a pose," he says, this time with a sense of urgency and purpose.

The second half of the song takes on a more introspective tone, with the speaker reflecting on what it means to be human. He describes himself as a "kill fantasy" and asks, "What is real?" The use of the word "fantasy" is particularly interesting, as it suggests that our perceptions of reality are often filtered through our own desires and expectations.

The song then takes a turn towards introspection, with the speaker describing his desire to transcend the mundane and connect with something greater. He asks, "What is real?" again, this time with a sense of longing and searching. This line is particularly poignant, as it highlights the speaker's recognition that there may be more to life than what we experience on a daily basis.

As we near the end of the song, we hear the speaker describing his desire to take others on a journey through music. He sings, "Let me take you to a place I know you to go / Good life yeah," and for a moment, it seems like he's offering us a chance to escape into a world of rock and roll excess.

However, just as we're about to be swept up in the excitement of this journey, the song takes a darker turn. The speaker warns, "I don't want to stand around you / Just say no," and for a moment, it seems like he's telling us to resist the allure of rock music and instead conform to societal norms.

But then we hear him singing again, this time with a sense of defiance and independence. He says, "I got a feeling like it what I'm doing to you / I'll been doing what you want me to do," and for a moment, it seems like he's embracing his own desires and expectations, rather than trying to fit in.

The song finally comes to an end with the line, "Let me take you to a place / Where we can be free," which suggests that the journey through rock music is one of liberation and self-discovery. The speaker seems to be saying that by embracing our true selves and letting go of societal expectations, we can find a sense of freedom and connection with others.

Overall, this song is a powerful exploration of the human experience, one that highlights the tension between conformity and individuality, and the power of music to transcend our everyday lives.

"WEBVTTKind: captionsLanguage: enoh up 1 2 one two 1 2 one two 1 2 1 two 1 2 one two one two one two 1 2 one two one 2 one two one 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 1 2 2 1 2 1 2 1 2 1 2 signal the line backwards forwards never behind late time this is line up this is one of a kind 2 one two signal the line backwards forwards never behind always late cuz I make the time this is one I'm one turn up the line coming up you're on the decline classic exotic design this is one un kind he don't more female more female more female more more more more m this this is mar this this is mar this this is mar this this is Mar c this this is Mar c this this is Mar c this this is Mar c this this is mar this this is mar this this is mar this this is mar this this is this this is this this is this is do this is Mar c my father my father always used to always used to tell me tell me this this is Mar c this this is Mar c this this is Mar c this this is this this is this this is mar this this is mar this this is mar this this is March this this is mar this this is mar this this is mar this this is mar this this is mar this this is mar this this is much this is this is this is is awareness Divine Awakening Christ has made the light of Ages to come unto you the most high has made that light to come to drinks action nature a smile it's a beautiful life get to it get onto the life the truth and the way become the way in The Sovereign Lord the soul must remember true place and it don't mean that you don't do wrongs remember I'm not talking no self-righteous nonsense people it's not a Sunday fearing judgmental Jew eating R ch div Awakening no joy but pleas take your way to another Noy face to give away to no J but pleas to give way to another with get Bic f it can't it got take it like basic take this Basics cuz I hate this that's it it take this to Basics cuz I ha this let me make it if you take it can't it got to take it Back to Basics take this back to basics cuz I hate this that's make it if you f it can't mistake it got take it back to basic if you it can't it got take it Back to Basics take this back to basics cuz I hate this that's will make it if you fake it can't mistake it can I take it back to Bic Bic make it make it can't f it got take it Back to Basics turn up the turn up the wave turn up the D turn up the wave turn up the Dum turn up the wave turn up the turn up the wave turn up the turn up the wave turn up the turn up the wave turn up the turn up the wave the W up the w w w w the way the the way the the up the up the turn up the wave turn up the turn up the wave turn up the turn up the wave up the turn up the wave turn up the up the W up the up the wave up the turn up the wave turn up the turn up the wave turn up the the W the W the W the w turn up the D B up the up the D up the CL and ping you closer and ping you closer anding you closer and you can resist it closer and you can resist it holding you closer and holding you closer and holding you closer and you resist it pulling you closer and pulling you closer and pulling you closer and you can't resist it you start to and that's how she lik it she's buing you closer and you can resist it just start theab that's how she it she hold CL and you CL and closer and you closer and you closer Ling you closer anding anding you anding you anding you and you can't resist it you start to sweat bab and that's how she light it she's buing you closer and you can't resist it you to sweat bab and that's how she likes it she closer and you can't resist it just to Bab and that's how she like she's you Clos and you can't res you start to that's how she a be l sh sh make me speed make l yeah girl girl about to get out your mind girl and then I was like and then we was like girl and then I was like and then we was like and then she was like girl girl girl about to get off your mind girl that's that at your back you like to move to the move to the drum move to the drum move to the drum you got to move to the drum you got to move to the drum you got to move to the drum you got to move to the drum you got to move to the drum you got to move to the move to the drum you like you like to move to the you like to move to the you like to the trun e give me the people and free my soul I want to get lost in your rock and roll o soul I want to get lost in your rock and roll let go to the music he he ladies with an attitude we're in the don't you stand there let's get to it strike a pose there's nothing to it don't you stand there let's get to it strike a pose there's nothing to it don't you stand there let's get to it strike a pose there's nothing to it don't you stand there let's get to it strike a pose there's nothing to it don't just stand there let's get to it strike a pose there's nothing to it don't just stand there let's get to It Strike a there's nothing to it don't just stand there let's get to it strike a POS there's nothing to it don't just stand there let's get to it strike a there's nothing to it what is real what is fre living like moving on neon this is not the real life me and how I feel look at me I'm just a kill fantasy and what is real living like stereotype moving on to the this is not the real life don't what me and how I feel look at me I'm just a kill fantasy and what is real what is real what is real this is not the the theing real what is real what is real real living like stereotyp moving on NE this is not the real life don't mean and how I feel look at me I'm just a kill fantasy and what is real living like stereotype moving on to Neon this is not the real life don't with me and how I feel look at me I'm just kill fasy and what is real what is real what is real what is real what is real shining desing good life good life good life good life good life good good let me take you to a place I know you to go good life yeah I don't want to stand around you just say no no no no no I have got a feeling like it what I'm doing to you I'm doing what I'm I'll been doing what you want me to do like this good life good life good life good life good life good life w viation love vition love viation love viation love viation love viation love viation w operation love viation love operation viation the the maybe you're good at big numbers engineering the perfect algorithm designing the perect culture Building Systems of gravity defining scale we are the legion that make it possible no it got it got honey it got honey it got honey it got honeying it got hone got G got G got G got G got a b b my I got a b b my I got a b b my I got to I got to B I got to I got to I got to a no so get into the get into the get into the get the get into the get into the no stop it stop it stop it stop it stop it stop it stop it it it itop it stop it no h I think I'm I think I I think wait it's a sequel you better move to the B bro move fast but you bre slow it's a sequel It's a sequel you better move to the B bro move fast but you breathe slow it's a sequel It's sequel you better move to the beat bro move fast but you Bree slow it's a sequel It's a sequel you better move to the move fast but bre slow it's a sequel to the to the move to the move the it's a sequel you better move to the be bro move fast but you bre slow it's a sequel It's a sequel you better move to the Bro move fast but you breath slow it's a sequel sequ sequel it's a se you better move to the fast bre slow it's a sequ it's sequ you better move to the move fast but you bre slow it's a sequ is a sequel the to the to the b f b b b b it's a sequel you better move to the be bro move fast but you breathe slow it's a sequel it's a sequel you better move to the be bro move fast but you breathe slow it's a sequel It's a sequel you better move to the beat move fast but you bre slow it's a sequel It's a SE better to thefucking sequel to the move to the move to the it's a sequel you better move to the beat bro move fast but you Bree slow it's a sequel It's a sequel you better move to the beat move fast but you bre slow it's a n I life is a Myer everyone must stand alone I hear you call my name and it feels like life is a Myer everyone must stand unknown I hear you call my my name and it feel the w\n"