**The Struggle is Real: A Maker's Journey**
As I stand here, surrounded by the remnants of my latest project, I can't help but feel a sense of frustration and defeat. It's not that I'm easily discouraged, no, I'm a maker at heart, always eager to take on the next challenge. But this time, something just didn't click. The third lamp failed, and with it, my confidence in my ability to bring this project to life.
It all started when I decided to trim off the power cord with a chisel. Yeah, that's right, I messed up. It's not the first time, and it won't be the last, but it was a harsh reminder that even the most seasoned makers can make mistakes. "Who else says that?" I thought to myself, wondering if I was just being paranoid or if there were others out there who had experienced similar failures.
But I'm not one to dwell on failures for too long. Instead, I decided to go back to a method that I'm more familiar with – the river table. It's been done before, and it worked. I linked up here to the video of my previous attempt at making a sea table, where I used Tyvek tape and MDF. It was mildly successful, and I was determined to build on that.
However, this time around, I decided to take things a step back. I scrapped the burning of the inside of the mold, not because it didn't work, but because I realized that the pigment I was using was too opaque to let me see what I was doing. Instead, I decided to go with an outside char, which would allow me to create a design without having to burn away the entire surface.
**A New Approach**
As I began working on this new iteration of my project, I couldn't help but feel a sense of unease. What if it didn't work out? What if I made another mistake? But I pushed those doubts aside and focused on creating something beautiful. This time, I decided to use silicone to secure the corners of the mold, rather than relying on glue.
I also took steps to prevent leaks in my previous attempts, but I'm not sure if they were effective. Was it heat that caused the epoxy to get too hot and stick to the acrylic? Or was I simply sealing voids that had been created by charring the pieces before using them? I'll never know for sure, but it's a good question.
As I worked on this project, I couldn't help but feel a sense of exhaustion. I'm running out of LED lights, and I'm not sure how much longer they'll last. But that didn't stop me from pushing forward, driven by my determination to create something beautiful. And when it was all said and done, I had a few surprises in store for myself.
**The Struggle is Real: Part 2**
I headed to the deepers right, searching for the perfect cord to match my new design. But what I found instead was a cord that took a candelabra base – not exactly what I needed. And when I tried to use it with my current setup, I realized that I had to add an extra little base to accommodate the larger bulb.
It was a frustrating moment, but one that also taught me a valuable lesson: sometimes, you have to think outside the box (or in this case, the mold). Proctologists may not be the most obvious group of people to consult when it comes to molding and casting resin, but I'm willing to try anything at this point.
As I worked on editing this video, I couldn't help but feel a sense of appreciation for my audience. If you like what you see, hit that like button and subscribe – it really helps me out. And if you're not already subscribed, well, what are you waiting for? The world of resin casting and molding is full of wonders and surprises, and I'm honored to be able to share them with all of you.
Until next time, when I'll hopefully have more success (and fewer failures), stay tuned, and keep on making.