**The Artistic Vision of Wukash**

Wukash's latest photographic series is a culmination of years of creative experimentation and self-discovery, showcasing his unique approach to capturing the human experience. The artist has chosen Polaroid film as his medium of choice, opting for its softness and unpredictability over more traditional digital formats. This decision allows him to tap into an emotional landscape that is both dreamlike and deeply personal.

For Wukash, photography is not about capturing sharp images or precise details, but rather about suggesting a mood or atmosphere that invites the viewer to fill in the gaps. He achieves this through the use of blurred portraits, where the human subject is often lost in the background, leaving only hints of their presence. This technique creates a sense of mystery and abstraction, drawing the viewer into the world of the image.

The artist's fondness for Polaroid film can be seen throughout the book, which showcases a collection of images that blend the natural world with the human form. Wukash's landscapes are not traditional representations of nature, but rather tightly composed scenes that incorporate plants, leaves, and flowers in intricate ways. The addition of humans to these compositions adds an extra layer of depth and complexity, inviting the viewer to consider the relationships between people and the environment.

One of the most striking aspects of Wukash's work is his ability to capture the human form through blurred portraits. Even when the face is completely obscured, it is possible to discern the presence of a person – perhaps a glimpse of an arm or shoulder – leaving the viewer with a sense of familiarity and connection. This technique allows Wukash to tap into the viewer's emotional experience, creating an intimate and personal bond that transcends the boundaries of the image itself.

The layout of the book is another notable aspect of Wukash's artistic vision. The images on each spread are positioned on the right-hand side, with a black background and typography on the left-hand side. While this design choice may be seen as unconventional by some, it adds to the dreamlike quality of the images, creating a sense of breathability and space that allows the viewer to fully absorb each photograph. The use of quotes, however, can sometimes feel overwhelming, detracting from the overall effect of the book. Nevertheless, Wukash's decision to incorporate these words into his work is a deliberate choice that underscores his interest in exploring the emotional landscape of his subjects.

Throughout the book, Wukash's passion for photography shines through, as he shares his artistic vision and process with the viewer. His dedication to experimentation and innovation is evident in every image, from the subtle use of Polaroid film to the intricate composition of his landscapes. As an artist, Wukash continues to push boundaries and challenge conventions, creating a unique and captivating visual language that invites the viewer to engage with his work on a deeper level.

**Supporting Artists**

As we celebrate Wukash's artistic achievement, it is essential to acknowledge the importance of supporting emerging artists like him. These individuals pour their heart and soul into their creative endeavors, often at great personal expense. By purchasing and sharing their work, we not only contribute to the artist's financial well-being but also help to create a community that values creativity and innovation.

If you enjoy Wukash's photographic series as much as I do, be sure to support him by visiting his website or social media channels, where he shares updates on his latest projects and artistic endeavors. Your support will not only encourage Wukash to continue pushing the boundaries of photography but also contribute to a more vibrant and diverse art scene that celebrates the unique talents of artists like him.

**Conclusion**

Wukash's photographic series is a testament to the power of creative vision and experimentation in art. Through his use of Polaroid film, tightly composed landscapes, and blurred portraits, he has created a visually stunning work that invites the viewer to explore the human experience on a deeper level. As we celebrate this artistic achievement, let us also recognize the importance of supporting emerging artists like Wukash, who continue to push the boundaries of what is possible in the world of photography.

"WEBVTTKind: captionsLanguage: enthis video is brought to you by Squarespace welcome back everyone it is Friday that can only mean one thing mail time we're gonna check out some awesome work submitted by viewers like you so without further Ado let's get started okay so before we get started I do have something I want to talk to you guys about so if you've watched this channel for a while you know that in the past I've talked a lot about my own influences in photography there are a wide range of them but one in particular who I've talked about a lot is the Great Richard avadon some of you may remember back in 2016 when I did the artist series one of those videos I did an interview with Laura Wilson who was Richard avedon's assistant for a project in particular called in the American West in the American West has a significance to it for one it was done following a period of a lot of commercial work that he did and this was a commercial photographer that was more or less moving into the Fine Art world the whole impetus for this project was actually going into the West into places like Texas New Mexico Utah Montana and actually photographing people who were not celebrities for big product ads these were people who worked at carnivals who worked in mines these were like real people it's a really interesting project and some of you may or may not know that that actually was commissioned here in Fort Worth Texas where I live at the Amon Carter Museum this year would have been Richard avedon's 100th birthday and there's a local event we do here called photofest that's brought to you by Fort Worth Camera which is my local camera store and they've actually invited me to speak about in the American West and about Richard Avedon I'm going to be doing this at the Amon Carter this was well it was a huge honor to be asked to do this um and so I'm really excited about it anyway you can get tickets to come see this I'll put a link in the show description it's going to be on Saturday May 13th it's in the afternoon and uh we're gonna have a 90-minute thing and I'm gonna do a big Spiel on Richard Avedon it should be a lot of fun so if you're interested if you're local here in Texas Dallas Fort Worth area please come check that out but right now let's let's get to some of your work all right so first up is this little Zine this is super funky and I think it's really awesome so this is called a two-bit world this comes to us from Cohen de Bruin he also includes a letter with impeccable handwriting which reads dear Ted thank you for taking the time to read my letter your photo assignment videos have always inspired me to try new and creative things when it comes to photography this was taken to the next level when I acquired a Game Boy camera in early 2021 I've spent the last one and a half years designing a custom adapter needed to mount the mount lenses taking unique photographs sorting through the images and finally teaching myself how to make a scene the Game Boy camera is extremely limiting outputting 14 kilopixel images with 2-bit depth hence the name of the zine while the original images but from the Game Boy camera are monochrome I used color palettes or Luts to enhance the images in post-processing the final product is a small colorful Zine in a unique form factor regards con all right Cohen this is really well done and I love the concept here and something that I want to dive into a little bit some of you may remember oh I don't know a couple years ago I did a video basically saying why your gear doesn't matter and it's interesting how controversial it is whenever anyone does a video like that because people just go screaming and crying defending the purchases that they made over the years on expensive camera equipment you can make things with anything you've got and I think this proves that Point entirely so if you're not familiar the Game Boy is capable of Imaging it's really low quality and I've seen people do things like this before this is a little bit different he had to do custom adapters to get the right lens on here but then it also outputs black and white really Lo-Fi images and so the whole idea of drawing Luts in here and bringing colors out and experimenting with different things it really is interesting I mean this I don't think you could probably get more limiting to this but I love the dot matrix pattern that you get in the end it kind of reminds me of newsprint when you get real close or pull it under a magnifying glass of course those pixels are round and they're not pixels but they're Square in this case it's a cool aesthetic and I think this is a really nicely done scene so Cohen thank you for sending okay next up is this book called the marsh speaks and metaphor this comes to us from Richard Eskin Richard did not include a letter in here however I have emailed with him before about several things and there's several quotes that he included at the beginning of this book from Keith Carter from my artist series video and that's what we had emailed about and this book is particularly interesting I want to share something from the intro with you Richard writes a natural sitting in an urban frame the scenes speak to me and I interpret natural light changed manipulated to suit my mood and perception I try to communicate in images and words feelings moods sounds temperature Delight regardless of what is captured success is seeing the result of being there sharing adds Insight breadth of perception and hope that enjoyment of and compassion for the natural environment ensues so the marsh may be preserved he also includes two quotes from Keith Carter from that video that I had done first is once I figured I could change the color and make that when it worked evocative or make it interpretive in some way I got very excited the second quote is why don't I make some photographs or try to make some photographs about Vision itself or about how I see so one thing you might not know is that our friend Richard here is actually red green colorblind and it's interesting that had a lot of colorblind photographers sent in work this is yet another interpretation of that which I think is extremely cool and what he did was uh it's a technique that Keith Carter had done on some color projects where he actually would take the colors and modify them and I love the results on this and I think that there's a mutual admiration that Richard and I both obviously have for for Mr Keith Carter um one thing that I love about this is first of all the marsh theme is very cool it's very consistent and how it's echoed throughout other thing that I love about this is the monochrome tonality to these even though they are color images and it reminds me a lot of those early photographs that foxtalbot took that were I mean there was no color photography back then but they were toned and that they gave you kind of a monochromatic color so to speak and I think this is a really cool and interesting approach compositionally I mean they're landscape marshes the ones that I really love are the ones where he's using a really Shadow depth of field it's something that's a little bit unconventional in landscape photography and it only works when you're using a wide open aperture and you're focusing on something in the foreground to get just a little bit of that blur in the background and you get that depth to the photograph and I think these are really well done add that with the atmosphere and I think you have something that aesthetically is really interesting Richard goes into a lot more detail on the intro to this book and of course I will link up to everybody I highly recommend you guys support your fellow photographers if you see something you like this book is not expensive I would definitely recommend it uh anyway I'll put everybody's links in the show description below so be sure to check that out and Richard thank you for sharing this with me it is awesome all right so I've got a bunch of zines here and I've got a really interesting book on experimental photography that was done using a Polaroid back on a Mamiya camera but we're going to get to these but real quick I want to give a shout out to our awesome sponsor today who are the great folks over at Squarespace listen you need a website and we all know how much work that is to build and maintain but it doesn't have to be Squarespace is by far the easiest way to build your online presence it's also the best way to grow a business that works for you without having to write a single line of code do you just need a simple portfolio or a Blog to Showcase your work well Squarespace perfect featuring a drag and drop interface it's intuitive it allows you to build galleries quickly and update your site with ease are you running a business well Squarespace gives you additional tools for things like appointment scheduling private member areas social media tools and even Advanced email marketing do you sell products or Services well Squarespace has you covered with complete tools to power your store for merchandising to check out so that you can sell ship and build your customer base you can even sell classes or manage appointments through your website and with Squarespace extensions you can easily sync with third parties to manage optimize and enhance your website from social media integration to SEO Squarespace gives you all the tools you need to grow a business that works for you so head over to Squarespace and sign up for the free trial start with one of their award-winning templates and see what you can create and just how good you're going to look when you're ready to launch go to squarespace.com aop and I can save you an additional 10 off your first purchase of a website or domain just use offer code aop on checkout so give it a try and see if Squarespace is right for you and I want to give a special shout out and thank you to Squarespace for sponsoring this video alright so next up we've got three zines that come to us from a gentleman named Chad Meyer first one is called every day after so much before so much which is a set of images that were taken in New York City on May 7 2020. then there's we are nowhere ever vol 1 followed by we are never Vol 2. so if we start with every day after so much before so much I've seen a lot of zines that center around New York City as their subject and I think this one's kind of unique it's really interesting I mean it's more or less street photography but I think it goes further than just giving a label like that I mean there's a lot of interest that he has in here that when you go through the way the layout is the way the images are juxtaposed the sense of scale that plays against one another I think is all very well done I also like the full bleed images in here that kind of take away the images composition and kind of leave you because you lose the edges for the full bleed into to just kind of an observation of New York and I think the subject matter usually dictates that which is interesting to me these are little details what's interesting about these is when we switch over to the we are nowhere ever zines these have a completely different take so if we consider the first one to be more or less you know an Ode to a place giving you nothing but a sense of a place we are nowhere ever tends to go in a completely different direction so we have wide open Landscapes big skies and Chad certainly brings the same style over but it's really interesting to see the juxtaposition between these two types of zines where you have one that's in an urban environment and then you have another one that kind of suggests that it's not in an environment I mean of course it is but we don't know where this is it's just a little more open in terms of its interpretation anyway these are really well done I love the sense of negative space that Chad uses in these those big Skies really help pull objects out and I think I think it's really cool you don't have any of the Clutter that we have in a place like New York City where everything seems to be filled with advertising or something and anyway these just have a really cool feel to him in the we are nowhere ever Vol 2 he takes an even more experimental Direction Where We start having collages a lot of things with multiple exposures images that lay on top of one another uh certainly Photoshop but I think this is really cool and it definitely gives a nice feel to it and it's just something that's unusual it's very different one thing to notice too is that when Chad uses this technique there's always a high degree of contrast it's either opposing colors it's opposing light it's really interesting I love this one of the forest images that are overlaid on top of this Open Sky I think the birds the geese in here are obviously part of the Open Sky but all of a sudden it puts them in a different context so again playing with that idea of isolation or not being in a particular place so Chad exceptional work thank you for sharing these with me my only criticism on these is that I'd actually like to see more and that's actually a good problem to have you kind of want to see where this is going in the next Direction with the next volume the next theme of the zine is going to be anyway these are awesome I will link to these in the show description below I love the way they're printed he uses different paper Types on these but it's consistency of size and format which I actually really like and yeah the print quality is on these is outstanding so awesome work man thanks for sharing all right so next up is this book which is called Seasons emotional Landscapes this is from a Polish photographer and I'm going to attempt my polish pronunciation this is from wukash lycus wukash is from whoosh and he also includes this little letter which reads hi Ted first of all thank you for your channel I'm sending you the photo book that I managed to self-publish this year my budget only allowed for a small run of 30 copies so the quality is not what I would call satisfactory but I hope that you will find it acceptable the photo book that you hold in your hand represents some of the images from one of the series that I have been working on probably since the beginning of my photographic Journey it started somewhat unconsciously but crystallized along the way I started digital but gradually moved towards analog and ended up with Polaroids is one of my favorite formats unlike the majority of photographers I guess I wasn't looking for more details more sharpness or better contrast to Me Photography is more of a suggestion for the viewer so a hint of what they can find on their own explanation or idea of what what they see instant photography offers just what I was looking for the blurriness the lack of detail the weird and unpredictable results you could say that to some extent it lives its own life having said all of the above I hope that now you will look at my book and somehow it makes sense thanks and take care so wukash a couple notes about this book first of all congratulations it's very beautifully printed it's very well done and I actually really love the concept I love the whole idea of emotional Landscapes and I think that your choice of medium with Polaroid definitely plays on that I mean you've got the softness of the images you've got kind of a lot of grain going on with some of some of the exposures are often few and it does create that dreamlike emotional landscape so to speak and I think your approach to photography is very interesting too I like the idea of considering the landscape with these because these are definitely not traditional landscapes in the sense that you would see mountains or fields or bodies of water they're tightly composed you have a lot of things with plants with leaves with flowers blooming my favorite images and I think the direction that is really strong in this book is the ones where you have human beings in these and you're combining these ideas of a portrait and a landscape but the person in the portrait is definitely blurred off and in the background and in some of these they're so blurry that you just make out the sense that there's a human being back there and I think what fascinates me about this is because a lot of times an abstraction you start to lose a sense of things but for there's something about the quality of the human form the human figure where you actually or at least I do I can tell it's somebody back there even though the face is completely blurred out you can kind of tell there's arms or it's a body anyway I think that's really interesting and combining these ideas into something that is very dreamlike in that sense I think that's some of the strongest work that's in here I think there's a lot of stuff where you the Black and Whites I just don't have that depth with and I don't see it sometimes in just the garden photos but when you combine those elements together I think your work takes on a really strong Persona and I would definitely stay in that direction now another common and I want to make on here and this is a little bit nitpicky but I want to talk about the layout on here and I think it's interesting that all the photos on each spread appear on the right hand side and then on the left hand side you've got this black background with a bunch of typography on it and I like the idea of using quotes I personally think that having a different quote with each image is just a little bit much sometimes it's like kind of like we're going through and it's like okay I get it it's okay to let these things breathe the typography is really big and you're pulling words out of here and I'm just and maybe just me I just really don't understand where you're going with this but I really do like the direction of the vibe that you're going for I think the Polaroids are an awesome way of achieving that and the book is really nicely printed nicely done I know what it's like when you're putting money into something you can only afford to do so many of them but my advice would be to just keep keep going I mean just like you know keep practicing keep experimenting with your photography go in that direction I was talking about where you're combining people into these images I think that's really strong and you know go for it and and I want to see what the next book is so this is a great start anyway Lucas thank you for sharing you should be very proud of this I'm being nitpicky with the type but um I just think it's worth something pointing out anyway awesome book thank you for sharing and as I've said I will link up to this book and everybody else down in the show description please help support these people they are your colleagues they're making awesome work and they're sharing it with the world if you have any questions drop them Below in the comments I will see you guys in the next video Until then laterthis video is brought to you by Squarespace welcome back everyone it is Friday that can only mean one thing mail time we're gonna check out some awesome work submitted by viewers like you so without further Ado let's get started okay so before we get started I do have something I want to talk to you guys about so if you've watched this channel for a while you know that in the past I've talked a lot about my own influences in photography there are a wide range of them but one in particular who I've talked about a lot is the Great Richard avadon some of you may remember back in 2016 when I did the artist series one of those videos I did an interview with Laura Wilson who was Richard avedon's assistant for a project in particular called in the American West in the American West has a significance to it for one it was done following a period of a lot of commercial work that he did and this was a commercial photographer that was more or less moving into the Fine Art world the whole impetus for this project was actually going into the West into places like Texas New Mexico Utah Montana and actually photographing people who were not celebrities for big product ads these were people who worked at carnivals who worked in mines these were like real people it's a really interesting project and some of you may or may not know that that actually was commissioned here in Fort Worth Texas where I live at the Amon Carter Museum this year would have been Richard avedon's 100th birthday and there's a local event we do here called photofest that's brought to you by Fort Worth Camera which is my local camera store and they've actually invited me to speak about in the American West and about Richard Avedon I'm going to be doing this at the Amon Carter this was well it was a huge honor to be asked to do this um and so I'm really excited about it anyway you can get tickets to come see this I'll put a link in the show description it's going to be on Saturday May 13th it's in the afternoon and uh we're gonna have a 90-minute thing and I'm gonna do a big Spiel on Richard Avedon it should be a lot of fun so if you're interested if you're local here in Texas Dallas Fort Worth area please come check that out but right now let's let's get to some of your work all right so first up is this little Zine this is super funky and I think it's really awesome so this is called a two-bit world this comes to us from Cohen de Bruin he also includes a letter with impeccable handwriting which reads dear Ted thank you for taking the time to read my letter your photo assignment videos have always inspired me to try new and creative things when it comes to photography this was taken to the next level when I acquired a Game Boy camera in early 2021 I've spent the last one and a half years designing a custom adapter needed to mount the mount lenses taking unique photographs sorting through the images and finally teaching myself how to make a scene the Game Boy camera is extremely limiting outputting 14 kilopixel images with 2-bit depth hence the name of the zine while the original images but from the Game Boy camera are monochrome I used color palettes or Luts to enhance the images in post-processing the final product is a small colorful Zine in a unique form factor regards con all right Cohen this is really well done and I love the concept here and something that I want to dive into a little bit some of you may remember oh I don't know a couple years ago I did a video basically saying why your gear doesn't matter and it's interesting how controversial it is whenever anyone does a video like that because people just go screaming and crying defending the purchases that they made over the years on expensive camera equipment you can make things with anything you've got and I think this proves that Point entirely so if you're not familiar the Game Boy is capable of Imaging it's really low quality and I've seen people do things like this before this is a little bit different he had to do custom adapters to get the right lens on here but then it also outputs black and white really Lo-Fi images and so the whole idea of drawing Luts in here and bringing colors out and experimenting with different things it really is interesting I mean this I don't think you could probably get more limiting to this but I love the dot matrix pattern that you get in the end it kind of reminds me of newsprint when you get real close or pull it under a magnifying glass of course those pixels are round and they're not pixels but they're Square in this case it's a cool aesthetic and I think this is a really nicely done scene so Cohen thank you for sending okay next up is this book called the marsh speaks and metaphor this comes to us from Richard Eskin Richard did not include a letter in here however I have emailed with him before about several things and there's several quotes that he included at the beginning of this book from Keith Carter from my artist series video and that's what we had emailed about and this book is particularly interesting I want to share something from the intro with you Richard writes a natural sitting in an urban frame the scenes speak to me and I interpret natural light changed manipulated to suit my mood and perception I try to communicate in images and words feelings moods sounds temperature Delight regardless of what is captured success is seeing the result of being there sharing adds Insight breadth of perception and hope that enjoyment of and compassion for the natural environment ensues so the marsh may be preserved he also includes two quotes from Keith Carter from that video that I had done first is once I figured I could change the color and make that when it worked evocative or make it interpretive in some way I got very excited the second quote is why don't I make some photographs or try to make some photographs about Vision itself or about how I see so one thing you might not know is that our friend Richard here is actually red green colorblind and it's interesting that had a lot of colorblind photographers sent in work this is yet another interpretation of that which I think is extremely cool and what he did was uh it's a technique that Keith Carter had done on some color projects where he actually would take the colors and modify them and I love the results on this and I think that there's a mutual admiration that Richard and I both obviously have for for Mr Keith Carter um one thing that I love about this is first of all the marsh theme is very cool it's very consistent and how it's echoed throughout other thing that I love about this is the monochrome tonality to these even though they are color images and it reminds me a lot of those early photographs that foxtalbot took that were I mean there was no color photography back then but they were toned and that they gave you kind of a monochromatic color so to speak and I think this is a really cool and interesting approach compositionally I mean they're landscape marshes the ones that I really love are the ones where he's using a really Shadow depth of field it's something that's a little bit unconventional in landscape photography and it only works when you're using a wide open aperture and you're focusing on something in the foreground to get just a little bit of that blur in the background and you get that depth to the photograph and I think these are really well done add that with the atmosphere and I think you have something that aesthetically is really interesting Richard goes into a lot more detail on the intro to this book and of course I will link up to everybody I highly recommend you guys support your fellow photographers if you see something you like this book is not expensive I would definitely recommend it uh anyway I'll put everybody's links in the show description below so be sure to check that out and Richard thank you for sharing this with me it is awesome all right so I've got a bunch of zines here and I've got a really interesting book on experimental photography that was done using a Polaroid back on a Mamiya camera but we're going to get to these but real quick I want to give a shout out to our awesome sponsor today who are the great folks over at Squarespace listen you need a website and we all know how much work that is to build and maintain but it doesn't have to be Squarespace is by far the easiest way to build your online presence it's also the best way to grow a business that works for you without having to write a single line of code do you just need a simple portfolio or a Blog to Showcase your work well Squarespace perfect featuring a drag and drop interface it's intuitive it allows you to build galleries quickly and update your site with ease are you running a business well Squarespace gives you additional tools for things like appointment scheduling private member areas social media tools and even Advanced email marketing do you sell products or Services well Squarespace has you covered with complete tools to power your store for merchandising to check out so that you can sell ship and build your customer base you can even sell classes or manage appointments through your website and with Squarespace extensions you can easily sync with third parties to manage optimize and enhance your website from social media integration to SEO Squarespace gives you all the tools you need to grow a business that works for you so head over to Squarespace and sign up for the free trial start with one of their award-winning templates and see what you can create and just how good you're going to look when you're ready to launch go to squarespace.com aop and I can save you an additional 10 off your first purchase of a website or domain just use offer code aop on checkout so give it a try and see if Squarespace is right for you and I want to give a special shout out and thank you to Squarespace for sponsoring this video alright so next up we've got three zines that come to us from a gentleman named Chad Meyer first one is called every day after so much before so much which is a set of images that were taken in New York City on May 7 2020. then there's we are nowhere ever vol 1 followed by we are never Vol 2. so if we start with every day after so much before so much I've seen a lot of zines that center around New York City as their subject and I think this one's kind of unique it's really interesting I mean it's more or less street photography but I think it goes further than just giving a label like that I mean there's a lot of interest that he has in here that when you go through the way the layout is the way the images are juxtaposed the sense of scale that plays against one another I think is all very well done I also like the full bleed images in here that kind of take away the images composition and kind of leave you because you lose the edges for the full bleed into to just kind of an observation of New York and I think the subject matter usually dictates that which is interesting to me these are little details what's interesting about these is when we switch over to the we are nowhere ever zines these have a completely different take so if we consider the first one to be more or less you know an Ode to a place giving you nothing but a sense of a place we are nowhere ever tends to go in a completely different direction so we have wide open Landscapes big skies and Chad certainly brings the same style over but it's really interesting to see the juxtaposition between these two types of zines where you have one that's in an urban environment and then you have another one that kind of suggests that it's not in an environment I mean of course it is but we don't know where this is it's just a little more open in terms of its interpretation anyway these are really well done I love the sense of negative space that Chad uses in these those big Skies really help pull objects out and I think I think it's really cool you don't have any of the Clutter that we have in a place like New York City where everything seems to be filled with advertising or something and anyway these just have a really cool feel to him in the we are nowhere ever Vol 2 he takes an even more experimental Direction Where We start having collages a lot of things with multiple exposures images that lay on top of one another uh certainly Photoshop but I think this is really cool and it definitely gives a nice feel to it and it's just something that's unusual it's very different one thing to notice too is that when Chad uses this technique there's always a high degree of contrast it's either opposing colors it's opposing light it's really interesting I love this one of the forest images that are overlaid on top of this Open Sky I think the birds the geese in here are obviously part of the Open Sky but all of a sudden it puts them in a different context so again playing with that idea of isolation or not being in a particular place so Chad exceptional work thank you for sharing these with me my only criticism on these is that I'd actually like to see more and that's actually a good problem to have you kind of want to see where this is going in the next Direction with the next volume the next theme of the zine is going to be anyway these are awesome I will link to these in the show description below I love the way they're printed he uses different paper Types on these but it's consistency of size and format which I actually really like and yeah the print quality is on these is outstanding so awesome work man thanks for sharing all right so next up is this book which is called Seasons emotional Landscapes this is from a Polish photographer and I'm going to attempt my polish pronunciation this is from wukash lycus wukash is from whoosh and he also includes this little letter which reads hi Ted first of all thank you for your channel I'm sending you the photo book that I managed to self-publish this year my budget only allowed for a small run of 30 copies so the quality is not what I would call satisfactory but I hope that you will find it acceptable the photo book that you hold in your hand represents some of the images from one of the series that I have been working on probably since the beginning of my photographic Journey it started somewhat unconsciously but crystallized along the way I started digital but gradually moved towards analog and ended up with Polaroids is one of my favorite formats unlike the majority of photographers I guess I wasn't looking for more details more sharpness or better contrast to Me Photography is more of a suggestion for the viewer so a hint of what they can find on their own explanation or idea of what what they see instant photography offers just what I was looking for the blurriness the lack of detail the weird and unpredictable results you could say that to some extent it lives its own life having said all of the above I hope that now you will look at my book and somehow it makes sense thanks and take care so wukash a couple notes about this book first of all congratulations it's very beautifully printed it's very well done and I actually really love the concept I love the whole idea of emotional Landscapes and I think that your choice of medium with Polaroid definitely plays on that I mean you've got the softness of the images you've got kind of a lot of grain going on with some of some of the exposures are often few and it does create that dreamlike emotional landscape so to speak and I think your approach to photography is very interesting too I like the idea of considering the landscape with these because these are definitely not traditional landscapes in the sense that you would see mountains or fields or bodies of water they're tightly composed you have a lot of things with plants with leaves with flowers blooming my favorite images and I think the direction that is really strong in this book is the ones where you have human beings in these and you're combining these ideas of a portrait and a landscape but the person in the portrait is definitely blurred off and in the background and in some of these they're so blurry that you just make out the sense that there's a human being back there and I think what fascinates me about this is because a lot of times an abstraction you start to lose a sense of things but for there's something about the quality of the human form the human figure where you actually or at least I do I can tell it's somebody back there even though the face is completely blurred out you can kind of tell there's arms or it's a body anyway I think that's really interesting and combining these ideas into something that is very dreamlike in that sense I think that's some of the strongest work that's in here I think there's a lot of stuff where you the Black and Whites I just don't have that depth with and I don't see it sometimes in just the garden photos but when you combine those elements together I think your work takes on a really strong Persona and I would definitely stay in that direction now another common and I want to make on here and this is a little bit nitpicky but I want to talk about the layout on here and I think it's interesting that all the photos on each spread appear on the right hand side and then on the left hand side you've got this black background with a bunch of typography on it and I like the idea of using quotes I personally think that having a different quote with each image is just a little bit much sometimes it's like kind of like we're going through and it's like okay I get it it's okay to let these things breathe the typography is really big and you're pulling words out of here and I'm just and maybe just me I just really don't understand where you're going with this but I really do like the direction of the vibe that you're going for I think the Polaroids are an awesome way of achieving that and the book is really nicely printed nicely done I know what it's like when you're putting money into something you can only afford to do so many of them but my advice would be to just keep keep going I mean just like you know keep practicing keep experimenting with your photography go in that direction I was talking about where you're combining people into these images I think that's really strong and you know go for it and and I want to see what the next book is so this is a great start anyway Lucas thank you for sharing you should be very proud of this I'm being nitpicky with the type but um I just think it's worth something pointing out anyway awesome book thank you for sharing and as I've said I will link up to this book and everybody else down in the show description please help support these people they are your colleagues they're making awesome work and they're sharing it with the world if you have any questions drop them Below in the comments I will see you guys in the next video Until then later\n"